The theremin is one of the oldest electronic instruments, and the only one known that you play without touching. Moving your hands in the space around its antennas controls pitch and volume. The Etherwave is an authentic adaptation of inventor Lev Termen's original design. The Etherwave is a quality musical instrument designed for ruggedness and portability. It has a five-octave pitch range and reliable spacing between notes for sophisticated playability. Antennas are nickel-plated 3/8" brass tube and cabinets are furniture-grade hardwood, finished with a custom Moog stain. The Etherwave is fitted with an adapter for mounting on a standard microphone stand and works best with Moog's TB-15 instrument amplifier. All Etherwaves ship with two video tutorials on one DVD: Clara Rockmore: the Greatest Theremin Virtuosa and Mastering the Theremin, featuring Lydia Kavina.
Musical Instruments Online Stores In Malaysia "TRADE-IN ACCEPTED ON SELECTED MODELS" MSN:jacksuleiman@hotmail.com or SMS:+6017-7024919
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"The customer service has been excellent. It was good dealing with Jack. No problems so far. Thanks Jack for my G&L L-2500T and the strap lock. It's an awesome bass."
- LOOCM from KL
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Etherwave® Theremin
The theremin is one of the oldest electronic instruments, and the only one known that you play without touching. Moving your hands in the space around its antennas controls pitch and volume. The Etherwave is an authentic adaptation of inventor Lev Termen's original design. The Etherwave is a quality musical instrument designed for ruggedness and portability. It has a five-octave pitch range and reliable spacing between notes for sophisticated playability. Antennas are nickel-plated 3/8" brass tube and cabinets are furniture-grade hardwood, finished with a custom Moog stain. The Etherwave is fitted with an adapter for mounting on a standard microphone stand and works best with Moog's TB-15 instrument amplifier. All Etherwaves ship with two video tutorials on one DVD: Clara Rockmore: the Greatest Theremin Virtuosa and Mastering the Theremin, featuring Lydia Kavina.
Minimoog Voyager Old School

...the new synth with the analog sound engine of the Voyager, but without the digital controls. The perfect solution for players looking for a road-worthy replacement for their venerable Minimoog Model D, a full-featured centerpiece for their modular synth rig or just craving direct, hands-on connection to their creativity!
Priced between the Voyager and Little Phatty, this modern classic makes the coveted Voyager sound and design easier to own than ever!
NEW! - We've just added some great Old School audio samples. Check out the sample player below the photos to the left.
These samples show the incredible versatility of the Old School. Whether played solo or recorded in layers. It shines as a big, fat analog sound source for your favorite audio recording and processing software... the Old School always cuts through!
MOOG LITTLE PHATTY Tribute Edition to Bob Moog @ RM6,825.00
The Little Phatty is a monophonic analog synthesizer, with 100 user editable presets.
Synth Engine:
Sound Sources are two ultra-stable analog VCOs. Parameters for the VCOs are:
- Osc. 1 Octave: 16�, 8�, 4�, 2�
- Osc. 1 Wave: Continuously variable from triangle through saw and square to skinny pulse.
- Osc. 1 Level
- Glide Rate
- Osc. 1 to 2 Sync On/Off
- Osc. 2 Frequency
- Osc. 2 Octave: 16�, 8�, 4�, 2�
- Osc. 2 Wave: Continuously variable from triangle through saw and square to skinny pulse.
- Osc. 2 Level
- Fine Tune (for both Oscillators, located at the bottom left of the panel)
Sound Modifiers include a single VCLPF: 24 dB /Oct Moog Ladder filter, with filter Overload control and a single Output VCA. Filter parameters are:
Cutoff
Resonance
Kb. Control Amount (how much the Key CV modulates the Filter)
Filter Env. Amount (how much +/- the filter envelope modulates the filter)
Overload
An Envelope Generator section provides two ADSR EGRs: one to modulate the Filter (Filter EGR) and one to modulate the VCA (Volume EGR). For each EGR, the parameters are:
Attack
Decay
Sustain
Release
The Modulation section contains a 4-waveform LFO, and a 1x1 Mod Buss with 8 possible mod sources and 4 possible destinations. Its parameters are:
LFO Rate
Mod Source: (LFO triangle, LFO square, LFO sawtooth, LFO ramp, Filt. EGR or Sample and Hold, and Osc. 2 or Noise)
Mod Amount (the amount of modulation w/ the mod wheel all the way forward)
Mod Destination (Pitch, Osc. 2, Filter, Wave)
The User Interface (UI) section is described in the UI spec, below the LCD and UI controls are the following:
Performance controls:
37-note keyboard
Spring-loaded pitch wheel
Mod Wheel
Glide On/Off
Octave Down
Octave Up
To the right of the front panel is the Output section. There is a Master Volume control, an Output On/Off switch, a Headphone Volume control, and a headphone output jack (1/4� TRS)
The side of the instrument houses the I/O of the instrument.
AC In (100-250VAC, 50-60 Hz
Power On/Off
Audio Out
Ext. Audio In (accepts +4dBu line level signal)
Pitch CV In (1 V/Oct)
Filter CV In
Volume CV In
Keyboard Gate In
MIDI In
MIDI Out
Dimensions and Weight
26.75" X 14.75" X 6.75"
22lb
Basic Editing of sounds
Sound editing of continuous parameters (like Filter Cutoff) is done from the front panel by enabling a parameter with its switch (its LED becomes illuminated), and then adjusting its value control. There are 4 value controls, one for each section: Modulation, Oscillators, Filter, and Envelopes. Each is surrounded by a ring of 15 LEDs that show approximately the stored or edited value of the current parameter. The value controls are analog, and when a parameter is activated, the analog control signal is switched to directly control that parameter (RAC� or Real Analog Control). For each section, only one continuous parameter can be activated at a time for editing. For parameters that have multiple possibilities (such as Mod Source) pressing that switch advances through the possible Mod sources. For On/Off type switches like Osc. Sync, the LEDs are On when that parameter is on or Off when the parameter is off.
Specs subject to change without notice.